It’s taken me a while to write about this cause it has been a busy week/ weekend. Job interviews (yes, a real job) and preparing to record occupied most of my time.
Part One: Monkey Business
Our show at the Ugly Monkey was excellent. Thanks to everyone who came out to see us! Despite some monitor/sound problems for Belinda, and the few minor mistakes we made while playing, we rocked the house. I was pleased at the sound I got from the amp we borrowed (stole) from a frathouse at Franklin and my non-reliable, on-its-last-breath Digitech pedal.
Free Smut and the Dead Pinups played great sets. Unfortunately, the Pinups had to play without being doused in fake blood because the last time they played there someone from the outside thought people had been stabbed and called the cops.
The night belonged to the boys from Milwaukee, the Forth Effect. I highly recommend checking them out (Tour dates at: www.fortheffect.com). Besides having a sweet touring van, their equipment was top notch. I’ve never been so jealous of another bands’ gear in my life. Andy, their guitarist/ merch-tablesitter was a cool, laidback guy until he started playing and trashed around the stage in a Tom Morello meets Omar Rodriguez-ish kinda way. His three-tier pedalboard had him tapdancing all over the place.
Best bit? He smashed his Les Paul’s headstock into their vocalists ribcage while spinning around and broke one of his tuning pegs off. A guitar was quickly borrowed from the Pinups and the rocking recommenced. Like I said before, excellent show. Too bad you missed it. Told ya you should have come.
Oh yeah…we made a whopping $35 off the door - excellent wages for our first big gig. Gas money smells sweet indeed!
Part Two: 120 miles to Warsaw
With the show behind us, we trekked to Warsaw, IN to record new & old stuff to replace our crappy stuff we currently have up on Purevolume. Why Warsaw? Cause Joe has a pseudo-proffesional studio and he’d record us for the one time introductory price of FREE! We made it up to Joe’s studio two hours behind schedule, set up the drums and went out for a late lunch.
The tracking went surprisingly smooth. We did the drums for a new one called The Animatronic first, followed by Vitiate and then Ravine Soliloquy. My turn at bat next. Animatronic went down smooth first try. Vitiate took three takes. Ravine took a total of 8 hours. 8 freaking hours.
We had problems with the timing, so we scratched the track and re-did the drums. Same problem pops up. I tried to compensate but the song just sucked all the happy out of me. We gave up and spent the rest of the night on the PS2.
Next day, we went back in and tried again. Ravine just wouldn’t work. I was getting really pissed by this point. ENTER METRONOME! Redo the drums with the constant tick-tock-tick-tock. Redo guitars with the tick-tock-tick-tock. We then did the happy dance cause tracking was done.
Belinda did all the vocals in about two hours. Two takes per song. She made it look so friggin easy. Bloody vocalists and their ease-of-doing-things-ness.
The bass had to wait - Shayne didn’t make it up cause he apparently has some kind of weird island flu, so we’ll be heading up there again to finish up real soon.
The rough mixes (sans bass) sound really good. With a little additional guitar and vocal harmonies, we’ll have the finished product. Give us a little more time and they’ll be ready for your listening pleasure.
This is a longer than usual entry, so I think I’ll end it right here. Actually here is better. I lied. Wait for it…almost there…Okay. It’s over. Now.